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DateLecture
19 November 2019250 years of the Royal Academy
15 October 2019Zaha Hadid. Architectural Superstar.
17 September 2019The History of The Harp
18 June 2019Music and Art in the age of Vermeer.
14 May 2019Plants Tell Stories
16 April 2019Tantrums and Tiaras. Backstage at The Royal Opera House.
19 March 2019Romancing the Rails
19 February 2019The Glasgow Boys and the Glasgow Girls. The Scottish Colourists, French Connection.
15 January 2019The Sacred Art of Tibet
11 December 2018No ordinary Christmas
20 November 2018The Glamour Years, Jewelry and Fashion 1929-1959
16 October 2018Nazi Looting - Past and Present
18 September 2018The Spanish Museum and the Bishop Auckland Project.
19 June 2018The British Seaside Holiday
08 May 2018The Worshipful Company of Goldsmiths
17 April 2018The Lure of The Midi
20 March 2018The Georgian House around the world.
20 February 2018Historical use of Wallpapers in the British Interior. 1685 to today.
16 January 2018Paintbrushes at Dawn
12 December 2017The Three Wise Men - The Traditions of the Magi
21 November 2017The Founders and Treasures of the Wallace Collection
17 October 2017Catherine the Great - Empress of all the Russias.
19 September 2017Marvels in Silver - Georg Jensen

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250 years of the Royal Academy Rosalind Whyte. Tuesday 19 November 2019

Rosalind Whyte, BA and MA from Goldsmith’s College, and an MA (distinction) from Birkbeck College. Experienced guide at Tate Britain, Tate Modern, the Royal Academy and Greenwich. Lectures at Tate, Dulwich Picture Gallery, to independent art societies and on cruises. Leads art appreciation holidays.

In 2018 The Royal Academy of Arts celebrates its 250th anniversary, so it is an opportune time to explore its history and the role it has played in the development of British art.  We will look at the position of artists in London before and after the formation of the Academy in 1768 and some of the characters involved, from the first President, Sir Joshua Reynolds, and other establishment figures, to artists who have taken a more oppositional stance, whether individually, such as Reynolds’ great contemporary and rival Gainsborough, or as a group, such as the (initially) clandestine Pre-Raphaelite Brotherhood, a group of young rebel artists who sought to subvert the Academy from within.  Like any important institution, the Academy has been embroiled in intrigue and controversy over the course of its history and no scandal or outrage will remain unexposed as we trace the history of one of Britain’s most important cultural bodies, from inception to the present day.